Відео

Thanks!

@@Sean081799 Thanks! Original plan was to just use harp, bass, nylon guitar but the other layers just felt natural to add to keep the arrangement going

@@Senaeris Thanks a lot! I'm gonna have to check your stuff too, got any favs?

@@Tremendouz Heh, looks like you found them already. They're exactly the ones you've commented on haha I haven't produced much, but I'm hoping in the near future I'll be able to make some more stuff I'm proud of to put out there! :)

@@-Poka- thanks for listening! Not familiar with that one but I know she was in... 3?

@@tazbo8072 Haha, I really should get back into doing more Crash some day

@@SquashedBugGames Thanks!

@@Oinnelstan Thanks! SynthV is seriously mind-blowing. Now if only you could use your DAW piano roll instead of the built in one in the plugin, that would be great.

@@iCrescendo thanks!

@@JonasBombeke thanks!

@@soundsandstuff Thanks!

@@WarpWhistlesMusic thanks!

@@WurtzelTrumpetMaster thanks!

@@ElementalityStudios thanks!

I guess that's one way to describe a harp

@@sdach3sach167 Thanks!

@@TripleBMusic Thanks! The DI is quite nice even if I did some weird EQ on it to add low end and reduce mids

Thank you!

Thanks! The MIDI file and lead guitar preset in the description are all I have access to right now

@@Tremendouzthank you, some presets are not matching with arpeggiator track like chorus comp. I am using in Logic Pro

@@NK-rv2rz for the clean arpeggio track, I enabled the keyboard mode as you can see in the GUI. That way I could play the arpeggios without the limitations of guitar fingering getting in the way

@@millennialchicken Thanks! That's some high praise

Oh?

Thanks! It's hard to make a satisfying build-up for such a long arrangement so I'm glad it worked out

Thanks!

Thanks!

Thanks!

Thanks! I personally like S3 Jupiter a lot if you need lots of fast, repeated mutes, even if the tone is a bit muddy so I often do a low end cut on the DI signal before amp. See my previous video for an example with Jupiter. Hydra is more versatile overall because it has extended range and includes neck pickup as well. Ample Metal Hellrazer and Eclipse are great but need some extra humanization for fast repeated palm mutes because the samples are so consistent and clean that it can sound somewhat robotic otherwise. It's a very different vibe from Shreddage and sometimes one works better than the other

​@@TremendouzThank you for the quick reply, I will have a look at it. What is your opinion on Prominy VMetal and heavier7 Strings which has a chord recognition for continuous chords. Which is often used in black metal. And they sound very authentic

@@reperias V-metal is technically a very fine guitar but I just don't like its sound, it's very nasal. Heavier7strings is cool too and has very clean and consistent sound but something about the tone sounds very synthetic.

​@@TremendouzOK thanks again for your answer, one more question. You once mentioned in an old comment that you like the shreddage rogue best together with the legacy, meanwhile you would prefer Jupiter?

@@reperias I don't remember ever saying Rogue is the best. If I did, it might have been by mistake. Legacy has cool palm mutes for power metal (clearer tone than Jupiter) but Jupiter is sampled more deeply so it'd be my overall choice.

Thanks!

Thanks!

Thanks!

🤘

Thank you so much, glad you like it!

Thanks for listening!

Glad you like it!

Glad you like it! Not fretless but it has a bit similar quality to the high notes sometimes

Yeah I think that kinda tone is definitely a mindset. 😂

Thanks!

Thanks! Yep, it's all MIDI: - Ilya Efimov nylon & acoustic guitar - Samantha Ballard harp - Scarbee Sun-bass - NI Strummed Acoustic - LABS choir, Gaelic voices and Frozen Strings - EZdrummer 3 - Synthesizer V Solaria (vocal aahs at the end) -

Thanks! With the other Shreddage guitars I'd be less heavy-handed with the low shelf EQ before the amp but Jupiter really benefits from tightening the low end

Thanks!

Thanks! In my defense, I just took the finished mix and replaced the existing Fortin Nameless Suite tone with this so it doesn't admittedly sit in the mix as well as the original tone, although I played around some more after uploading the video and it turns out that lowering the volume of the guitar a bit as well as reducing the low cut(s) glues it better with the backing track

For context, here's the original mix (with a bit different bass sound too) ua-cam.com/video/_0vqGSKZ3NY/v-deo.html

@@Tremendouz Sounds really good, I loved it!

@@Jojtsu Thanks!

Watching me make a song for 5+ hours or something without talking wouldn't be very useful and also very boring 😄 For lead guitar, I used Ample Guitar VC and the tone was quite weird: I used Overloud TH-U and its Metalzone emulation and a clean amp afterwards. I suppose you could do something similar with the free Metalzone plugin from Mercurial and the clean channel of Emissary or some other amp, but I haven't tried that. That said, TSC + Emissary + Catharsis IR with default settings is already a good starting point for a lead tone

@@Tremendouz Hello, thanks for the response. I personally wouldn't find it boring to watch you for 5 hours or so without talking. I just wanted to see your overall process of making a song with MIDI guitars please because your covers + original songs sound so realistic to me and I've always wondered how does Tremendouz makes a song with these pugins. That's all I wanted to see, I don't have a problem of watching you for hours and hours trying to make something new because I like longer videos rather than short videos. Also, thanks for the lead guitar answer, I have all the plugins listed in your comment and i just need to use the techniques applied here.

​@@sammpaul I do have one recorded stream where I quickly showed how I program my leads and rhythms with Ample guitar VC and SC but it started from a template with the guitar tones already included. I rarely use Shreddage for leads nowadays but the basic ideas still apply even if the workflow with the keyswitches is a little different, especially the way the slides work ua-cam.com/users/live-k4UcI-Y4g0

@@Tremendouz Ok, thanks for sharing the stream. I wish you could do this more again please.

@@sammpaul Never say never but the problem with recording a longer project is that I usually have other things open that I check while working such as Discord and my email and that's something I wouldn't want to show on the stream. Also, being aware that I'm recording myself tends to not be great for my creativity 😄 I know it's possible to only capture the DAW with OBS but if I do that, the MIDI editor will not be visible so I need to capture the whole screen which indeed shows everything I'm doing on the PC.

Love this! Mix context matters so much with rhythm guitar tone

Thanks!

Thanks!

Thanks! And that gives me an idea to do Divine's Lament in similar style. Some day...

Thanks!

Thanks jason!

Thanks!